Lawrence Daws 'Waterlilies, Study III' impressionism turns an ordinary object into

turns an ordinary object into a sculpture

an “entrance

daring yet slight

‘Lovers in Autumn’ is a rich find

The work would benefit for light conservation treatment

Lawrence Daws 'Waterlilies, Study III' impressionism turns an ordinary object intoLawrence Daws was among Australias most significant twentieth century artists. Primarily a landscape artist, Daws imbues his interpretations of the land with a dreamlike sensibility. On his practice, the artist reflects: "Even when a painting is full of menace, I try to paint it in a beautiful way so you're seduced by the paint quality and you don't get subsumed by the horror." This intimate painting of a lone waterlily resting on a still lake distils