Jeffrey Makin 'Untitled (Nude looking back)' cool tones to acknowledge the passage of

to acknowledge the passage of time and choose now

'Untitled (Grasses)' 2007

That her career was at times overshadowed by her marriage is a testament to Modernism’s issues with gender parity

Sebastian Smee wrote of Amor: “there is nobody really like him… his commitment [is] unmistakable

they speak to an artist who cares deeply for the world

Jeffrey Makin 'Untitled (Nude looking back)' cool tones to acknowledge the passage ofIn a restrained palette, Jeffrey Makin draws a nude in water. Carved in staccato lines, he appears part of the granite an earthly formation as natural as the rockface he stands beneath. Considered the heir to the Heidelberg School, Makin creates portraits of the landscape carving out their complexity, history and personality. Hes a genius when it comes to genius loci a term meaning the essence of place that has held resonance since Ancient Rome. Makin